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	<title>Teacher 2.0 &#187; culture</title>
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	<link>http://dcamd.com</link>
	<description>English and Technology explodes into the 21st Century</description>
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		<title>Socialnomics Rap (Power to the People)</title>
		<link>http://dcamd.com/2010/04/30/socialnomics-rap-power-to-the-people/</link>
		<comments>http://dcamd.com/2010/04/30/socialnomics-rap-power-to-the-people/#comments</comments>
		<pubDate>Fri, 30 Apr 2010 23:24:37 +0000</pubDate>
		<dc:creator>dcadams</dc:creator>
				<category><![CDATA[culture]]></category>
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		<category><![CDATA[socialnomics]]></category>
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		<guid isPermaLink="false">http://dcamd.com/?p=445</guid>
		<description><![CDATA[For my students independent reading project this quarter, they had to make a video that showcased one of the books from a short reading list that included Socialnomics by Erik Qualman. This group wanted to turn their&#8217;s in two weeks early. Here it is.]]></description>
			<content:encoded><![CDATA[<p>For my students independent reading project this quarter, they had to make a video that showcased one of the books from a short reading list that included <a href="http://socialnomics.net/">Socialnomics</a> by <a href="http://twitter.com/equalman">Erik Qualman</a>. This group wanted to turn their&#8217;s in two weeks early. Here it is. </p>
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		<title>Socialnomics and social media in education</title>
		<link>http://dcamd.com/2010/01/14/socialnomics-and-social-media-in-education/</link>
		<comments>http://dcamd.com/2010/01/14/socialnomics-and-social-media-in-education/#comments</comments>
		<pubDate>Thu, 14 Jan 2010 04:32:44 +0000</pubDate>
		<dc:creator>dcadams</dc:creator>
				<category><![CDATA[culture]]></category>
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		<guid isPermaLink="false">http://dcamd.com/?p=430</guid>
		<description><![CDATA[Consider the information in the video above. What is the purpose behind the video? If we define the video in terms of the rhetorical situation, there&#8217;s certain analysis that is evident albeit if I then explain to you that it&#8217;s an advertisement for a paper book, how does that change your consideration for the above [...]]]></description>
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<p>Consider the information in the video above. What is the purpose behind the video? If we define the video in terms of the rhetorical situation, there&#8217;s certain analysis that is evident albeit if I then explain to you that it&#8217;s an advertisement for a <a href="http://socialnomics.net/">paper book,</a> how does that change your consideration for the above video?</p>
<p>Comments?</p>


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		<title>How Twitter Will Change the Way We Live: A Response</title>
		<link>http://dcamd.com/2009/06/07/how-twitter-will-change-the-way-we-live-a-reponse/</link>
		<comments>http://dcamd.com/2009/06/07/how-twitter-will-change-the-way-we-live-a-reponse/#comments</comments>
		<pubDate>Sun, 07 Jun 2009 07:30:08 +0000</pubDate>
		<dc:creator>dcadams</dc:creator>
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		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://dcamd.com/?p=313</guid>
		<description><![CDATA[Common Craft Twitter Video. Watch this for a great Twitter overview. Hi, My name is Devon and I have a problem&#8230; No seriously though, I&#8217;ve been on Twitter for almost two years now, and yes, when I explain it to others, they look at me like I need a padded room and some Cialis. In [...]]]></description>
			<content:encoded><![CDATA[<p><object width="480" height="385"><param name="movie" value="http://www.youtube.com/v/ddO9idmax0o&#038;hl=en&#038;fs=1&#038;rel=0&#038;color1=0x006699&#038;color2=0x54abd6"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/ddO9idmax0o&#038;hl=en&#038;fs=1&#038;rel=0&#038;color1=0x006699&#038;color2=0x54abd6" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"></embed></object><br />
<i>Common Craft Twitter Video. Watch this for a great Twitter overview.</i></p>
<p><em>Hi, My name is Devon and I have a problem&#8230; </em> No seriously though, I&#8217;ve been on <a href="http://www.twitter.com">Twitter</a> for almost two years now, and yes, when I explain it to others, they look at me like I need a padded room and some Cialis. In part, Twitter began as a simple micro blog that answers &#8220;What are you doing right now?&#8221; but as simple as that sounds, it&#8217;s not anymore. </p>
<p>My timeline (that&#8217;s Twitter timeline for you noobs) has been popping off about the new <em>Time</em> article on Twitter:<a href="http://www.time.com/time/business/article/0,8599,1902604-4,00.html"> &#8220;How Twitter will change the way we live&#8221;</a> from June 5, 2009, and as someone who is obsessed as most and about to begin to work on a workshop on Twitter, I have some responses.</p>
<p>As a Composition instructor, I find it interesting to be forced to maintain a response as brief as 140 characters. For high school students whose mentality is that instructors are interested in length (remember when we were in high school and padded pages with 12.5 font and/or 1.1&#8243; margins? I do.), Twitter forces the practice on fighting verbosity in today&#8217;s composition. Moreover, Twitter also forces the author to be keenly aware of his or her audience. </p>
<p>Socially, yes, we can simply answer Twitter&#8217;s ubiquitous question that we&#8217;ve asked each other for decades anyway (how many of you have met up with someone or called and first asked &#8220;how&#8217;s it going?&#8221; before getting down to business?), but there are so many powerful ways to move beyond that &#8220;ambience awareness&#8221; of one&#8217;s day. How often have you been able to see photos (posted on<a href="http://twitpic.com"> TwitPic</a, a side app that links pictures to Tweets, of one of your favorite authors, like <a href="http://twitter.com/neilhimself">Neil Gaiman</a> rolling around in the snow with his husky? Or read about <a href="http://twitter.com/davenavarro6767">Dave Navarro</a> and his concert going experiences in Jane&#8217;s Addiction? Maybe you want to know what <a href="http://twitter.com/lancearmstrong">Lance Armstrong</a> did today, or what<a href="http://twitter.com/THE_REAL_SHAQ"> Shaq&#8217;s</a> been up to (figuratively).</p>
<div id="attachment_314" class="wp-caption alignnone" style="width: 510px"><a href="http://twitpic.com/1pn8h"><img src="http://dcamd.com/wp-content/uploads/2009/06/neildog.jpg" alt="Neil Gaiman enjoying time outside his home with his dog." title="Neil Gaiman and his dog" width="500" height="350" class="size-full wp-image-314" /></a><p class="wp-caption-text">Neil Gaiman enjoying time outside his home with his dog.</p></div>
<p>In April 2009, Oprah sent her first tweet from her show, and I ironically was wearing my <strong>Eat. Sleep. Tweet.</strong> shirt. People looked at me like I&#8217;d jumped on some bandwagon and I spent my day tweeting about my Twitter experiences over 18 months. Her publicity coupled with Ashton Kutcher&#8217;s race with CNN.com caused an interesting situation to occur for me in the Twittersphere. Before April, I had probably two current high school students want to follow me on Twitter. Both were &#8220;cool kids&#8221; who I &#8220;trusted&#8221; with my Tweets, but after that Oprah show, more and more current students began to want to follow me. This really freaked me out because at that time my Twitter audience was not my high school students. (In contrast I made my Facebook profile FOR my students to follow me.) I haven&#8217;t really come to a conclusion on the whole student following me on Twitter situation, some I allow and some I don&#8217;t, and I ever blocked all updates for a few weeks until things simmered down, but as more and more people jump into Twitter, the more diffused the whole &#8220;teacher freak who Twitters with his students&#8221; thing becomes. </p>
<div id="attachment_315" class="wp-caption alignleft" style="width: 258px"><a href="http://www.lbhat.com/brands/twitter-obsession-and-hatred/"><img src="http://dcamd.com/wp-content/uploads/2009/06/jingcartoon.png" alt="Posted as part of a Twitter presentation by Chad Richards." title="Twitter humor" width="248" height="308" class="size-full wp-image-315" /></a><p class="wp-caption-text">Posted as part of a Twitter presentation by Chad Richards.</p></div>
<p>With that said, let&#8217;s discuss some of the positives education wise that have emerged from this tool. As I mentioned above, there are &#8220;experts&#8221; in any field who you can find on Twitter every day. You can follow them (and occasionally they even follow you back!), and sometimes communication emerges that would not necessarily from an email inquiry. In my field, I consider people like <a href="http://twitter.com/intellagirl">Intellagirl</a> and <a href="http://mediatedcultures.net/ksudigg/">Michael Wesch</a> experts (albeit both are specialized within my field), and I follow both and have actually spent time with both in real life, too. Without Twitter that relationship (virtually) would not have occurred.</p>
<p>People tend to gravitate around certain topics of interest. Mine are &#8220;social media&#8221; and &#8220;instructional technology&#8221;. I also teach high school English and tweet about teaching Freshman Comp. I sometimes pick up followers just because of my work, or, other times, I join a new NING and people start following me on Twitter because they stumble over my profile there. A (virtual friend) and colleague <a href="http://edtechpower.blogspot.com/">Liz B Davis</a>, who I&#8217;ve never actually met, aggregated a list of &#8220;Educators on Twitter&#8221; and as of today (June 6, 2009) there are 765 members. No, I don&#8217;t follow them all and they do not all follow me, but the contact data I have at my fingertips is powerful in it&#8217;s own right. Another person who I know better but I still consider him an &#8220;expert&#8221; to be mentioned here (although he is too humble to believe this) is Alan Levine from the New Media Consortium. Here&#8217;s a <a href="http://cogdogblog.com/2007/04/18/twitter-cycle/">post </a>of his on Twitter, and below is the life cycle of a Twitter addict that he adapted from Kathy Sierra. Very fun stuff.</p>
<div id="attachment_327" class="wp-caption alignleft" style="width: 510px"><a href="http://cogdoghouse.wikispaces.com/TwitterCycle"><img src="http://dcamd.com/wp-content/uploads/2009/06/twitter-life-cycle.jpg" alt="Alan Levine&#039;s twitter life cycle." title="Twitter-life-cycle" width="500" height="390" class="size-full wp-image-327" /></a><p class="wp-caption-text">Alan Levine's twitter life cycle.</p></div>
<p>What I would define as a collective intelligence that emerges from these &#8220;Twitter trees of experts&#8221; is what the <em>Time</em> article called &#8220;accumulation of authority&#8221;. No matter what we call it, our expert groups moved from the saloons of Dorothy Parker, to the list serves, and now to Twitter groups. Want information on anything at all? Ask on Twitter. Sometimes you get several responses within minutes. It&#8217;s like the silly old movies when someone asks for a pen or pencil and everyone in the scene shoves one at the simultaneously. </p>
<p>We are not all experts on all topics, but we have experiences and we have ways of collecting information. Sometimes that information includes links. Maybe we see something we want to share, so we post a link. Perhaps someone we follow on Twitter made a profound statement on the world of politics, a new musical, or a must read book. We &#8220;reTweet&#8221; these, which is a direct attribution and verbatim quote to the original poster (sometimes 2-3 people deep). Other times we don&#8217;t want to tell everyone what we have to say, so we send a Direct Message (d twitterid msg). (Sometimes people need to do this more often!) I&#8217;d like to point out what Steve Johnson already said about this in the <em>Time</em> article through his metaphor of the toaster oven and microwave. Neither Biz Stone nor Evan Williams, the founders of Twitter, (did you know they are friends with <a href="http://twitter.com/Wilw">Will Wheaton</a>?) came up with retweets, direct messages, or @ replies? As Johson said in the article, Ev &#038; Biz gave the community the toaster and we made it into a microwave. </p>
<p>I&#8217;d like to talk at the idea of the @ sign for a moment here. In my tech circles, the @ID becomes users identity more and more. People don&#8217;t know who Sarah Robbins is as much as they know @intellagirl. Cropping up across the USA and into the UK are &#8220;Tweetups&#8221; where people gather corporeally outside of their meeting on Twitter. No longer do people introduce themselves as, for example, &#8220;<em>hi, I am Heather Herr</em>.&#8221; But now, when I met her, it clicked faster when she corrected herself, &#8220;<em>On Twitter I am @msherr</em>.&#8221; THAT person I KNEW! Her real name meant nothing, as for me, some people have no idea who Devon Adams is, but they have seen @nooccar on Twitter. A colleague, <a href="http://www.committedtechnofile.com/">Shelley Rodrigo</a>, (<a href="http://twitter.com/rrodrigo">@rrodrigo</a> for those of you playing at home), and I have signed entire presentations as devoncadams@gmail and shelleyrodrigo@gmail.com, rather than writing our names more traditionally. Guess what goes on our presentation IDS? You guessed it, just our @IDs. Companies like <a href="http://www.tweetupbadges.com">Tweetup Badges</a>, will even make your group badges for when meeting in public and in person.</p>
<p><a href="http://www.flickr.com/photos/nooccar/3517014159/" title="365-129 (May 9) by nooccar, on Flickr"><img src="http://farm4.static.flickr.com/3563/3517014159_23d0b92dfe.jpg" width="500" height="400" alt="365-129 (May 9)" /></a></p>
<p>We all know the power of Google searches that has continued to gain momentum over the last decade, but have you searched Twitter? Johnson points out that the value of searching within your extended networks may &#8220;start to rival Google&#8217;s approach to the search&#8221;. Now, we will see if Twitter search can ever truly do that, and I am of the opinion that Google will eat Twitter before that happens, but two strong search examples Johnson points out is his article are worth mentioning. &#8220;If you&#8217;re looking for information on Benjamin Franklin, an essay shared by one of your favorite historians might well be more valuable than the top result on Google; if you&#8217;re looking for advice on sibling rivalry, an article recommended by a friend of a friend might well be the best place to start.&#8221;</p>
<p>The power of Twitter is that it&#8217;s real time. It&#8217;s the here and now. I heard about David Carradine&#8217;s and Heath Ledger&#8217;s death on Twitter within minutes of them being found. I remember when the plane went down in the Hudson River, TwitPic&#8217;s were posted of the ferry going to rescue people within minutes (can you even imagine what it would have been like if we had Twitter on April 20, 1999 or September 11, 2001?) According to Johnson, in May 2009 an &#8220;anticommunist uprising in Moldova was organized via Twitter. Twitter has become so widely used among political activists in China that the government recently blocked access to it, in an attempt to censor discussion of the 20th anniversary of the Tiananmen Square massacre.&#8221; Also, Twitter is used by CDC like organizations to track flu and health epidemics in urban cities.</p>
<p>As end users, some of us build the better mouse trap by making Twitter more power. We find extraordinary uses for Twitter and many times those uses are by our ME Generation. The innovative ways in which user play and work with Twitter will continually change. The value of the tool mutates, and it&#8217;s less about this tool BEING TWITTER than about the key elements of the platform&#8211;follower structure (including the @ symbol which has bled out of Twitter into other social media sites), link-sharing and real-time searching. It is like Marc Prensky said at the National Council for Teachers of English keynote in November 2008 in San Antonio, it&#8217;s less the noun that matters than the verb. What are the concepts where, rather than the content. Beyond Twitter for the fun of tweeting and calling our followers and friends tweeple or, more courageously, twits, what is the true purpose? Yes, some times it&#8217;s cool to see who is doing what, other times you spend more time tweeting than checking your gmail. Even other times, you run across fun tools like &#8220;Historic tweets,&#8221; which essentially sends out fake tweets from famous situations.</p>
<div id="attachment_320" class="wp-caption alignleft" style="width: 774px"><a href="http://historicaltweets.com/2008/12/04/lincoln-asks-twitter-followers-for-speechwriting-help/"><img src="http://dcamd.com/wp-content/uploads/2009/06/historic-tweet.png" alt="Lincoln asks followers for speechwriting help" title="historic-tweet" width="500" height="320" class="size-full wp-image-320" /></a><p class="wp-caption-text">Lincoln asks followers for speechwriting help</p></div>
<p>But other times, this matters. We, as users, are the, as MIT prof Eric von Hippel puts it, &#8220;end-user innovation&#8221; where we, as consumers, modify these social networking tools for our own needs. Twitter and the like mutate and change as we find ways to engage the tool to make meaning in our own lives, through our own needs, and within our education</p>


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		<title>Twitter Map On Yahoo Pipes</title>
		<link>http://dcamd.com/2009/01/06/twitter-map-on-yahoo-pipes/</link>
		<comments>http://dcamd.com/2009/01/06/twitter-map-on-yahoo-pipes/#comments</comments>
		<pubDate>Tue, 06 Jan 2009 02:13:26 +0000</pubDate>
		<dc:creator>dcadams</dc:creator>
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		<guid isPermaLink="false">http://dcamd.com/?p=196</guid>
		<description><![CDATA[My friend Alan Levine posted on Yahoo Pipes and a clever little bit of code that gives you a map of your Twitter followers. The code requires plain text Twitter password entry, so neither Alan nor I posted the actual map, but here&#8217;s a screen shot of mine!]]></description>
			<content:encoded><![CDATA[<p>My friend Alan Levine <a href="http://cogdogblog.com/2009/01/05/pipe-twitter-followers/">posted</a> on Yahoo Pipes and a clever little bit of code that gives you a map of your Twitter followers. The code requires plain text Twitter password entry, so neither Alan nor I posted the actual map, but here&#8217;s a screen shot of mine! </p>
<div id="attachment_197" class="wp-caption alignnone" style="width: 530px"><a href="http://pipes.yahoo.com/mmmeeja/twitterfollowers"><img src="http://dcamd.com/wp-content/uploads/2009/01/flickr_map.png" alt="Created @ http://pipes.yahoo.com/mmmeeja/twitterfollowers" title="My Flickr Map" width="520" height="280" class="size-full wp-image-197" /></a><p class="wp-caption-text">Created @ http://pipes.yahoo.com/mmmeeja/twitterfollowers</p></div>


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		<title>Facebook profiles as literary genre</title>
		<link>http://dcamd.com/2008/11/22/facebook-profiles-as-literary-genre/</link>
		<comments>http://dcamd.com/2008/11/22/facebook-profiles-as-literary-genre/#comments</comments>
		<pubDate>Sat, 22 Nov 2008 22:43:42 +0000</pubDate>
		<dc:creator>dcadams</dc:creator>
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		<guid isPermaLink="false">http://dcamd.com/?p=178</guid>
		<description><![CDATA[In a session about the public profile as a literary genre. The presenter is talking about Facebook, and she mentioned it&#8217;s origins. I guess her son went to the Ivy league, so she truly knows where this all began. There are about 75-100 people in here, and I am concerned about the &#8220;random&#8221; public profiles [...]]]></description>
			<content:encoded><![CDATA[<p>In a session about the public profile as a literary genre. The presenter is talking about Facebook, and she mentioned it&#8217;s origins. I guess her son went to the Ivy league, so she truly knows where this all began. There are about 75-100 people in here, and I am concerned about the &#8220;random&#8221; public profiles she&#8217;s pulled up here in the session. And as I type this, I know that this is the point to part of this presentation.</p>
<p>Students understand that employers will look at their FaceBook, but they don&#8217;t think their MySpace profiles are viewed. She said MySpace is &#8220;raunchier&#8221; and she was surprised that older people are the largest group on MySpace, but I didn&#8217;t think this was surprising. There are voyeurs who search for the spectacle and they find it. Some people create one FaceBook or MySpace with their real name for employer&#8217;s to find while they create a second account for their &#8220;real&#8221; stuff. </p>
<p>She uses FaceBook for her classes, too. She posts everything from her BlackBoard or Angel CMS classes to FaceBook, too because the kids are there. They barely log in elsewhere (i.e., they&#8217;d prefer to be somewhere more social). Teachers use to just want to be the sage on the stage, but being on places like FaceBook make undergraduates feel the professors are more accessible. We, teachers, were never their friends before. Now they engage with us more when we are &#8220;human&#8221;.</p>
<p>I personally have a FaceBook account, and I made it to better connect with my students. We were in Europe together and most of the student travelers with me had accounts. My wife and I set up accounts immediately. I know my audience, and even though I also connect with colleagues, family and friends there, I do keep it completely PG. I sometimes let my political or religious proclivities emerge there, but they are subtle and innocent. </p>


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		<title>Students Generating online communities</title>
		<link>http://dcamd.com/2008/11/22/students-generating-online-communities/</link>
		<comments>http://dcamd.com/2008/11/22/students-generating-online-communities/#comments</comments>
		<pubDate>Sat, 22 Nov 2008 17:11:56 +0000</pubDate>
		<dc:creator>dcadams</dc:creator>
				<category><![CDATA[NCTE]]></category>
		<category><![CDATA[conferences]]></category>
		<category><![CDATA[culture]]></category>
		<category><![CDATA[Baudrillard]]></category>
		<category><![CDATA[pbwiki]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://dcamd.com/?p=176</guid>
		<description><![CDATA[Students Generating online communities: How they teach us &#038; how that shapes pedagogy by js Miller. (Check out her LBST 499 @ english.iup.edu/sjmiller) Miller began by having us examine the spaces in which we inhabit. The room we were sitting in was very neutral and drab. Moving into her discussion, she began discussing how she [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Students Generating online communities: How they teach us &#038; how that shapes pedagogy by js Miller. (Check out her LBST 499 @ english.iup.edu/sjmiller)<br />
</strong><br />
Miller began by having us examine the spaces in which we inhabit. The room we were sitting in was very neutral and drab. Moving into her discussion, she began discussing how she sends her students out into the world to find culture to which they can respond. (Side not: she seems pretty savvy, but she uses overheads?!) </p>
<p>How can students effectively synthesis classroom learning in groups in an online environment? What is the efficacy of such skills to first space (Soja, 1996), the read and concrete spaces, in their lives? Online communities are third spaces. She has students develop abilities to critically read spaces through color analysis, archetypal analysis, spatial mapping, critical literacy, literary criticism, and the application of course discussions and readings. She begins by defining pop culture with the students. She&#8217;s at IUP, so one of the groups on which they focused was sports fans (Steelers, Penguins, etc&#8230;). Another was Bar Culture, including gay bars &#038; rural bars.</p>
<p>She said we live in a &#8220;remix culture&#8221;. They all have wikis, and they have to go online and rework each other&#8217;s spaces. She&#8217;s talking about the makeup of the class, and how it mutated in the class itself. The students were required to go further and further into certain spaces, and explore how popular culture creates subcultures such as raves, goths, punks and counter cultures. The students became cognizant of relationships among disciplines and consider the advantages and disadvantages of both. </p>
<p>The class required students to create a blog, complete observational reflections, attendance at 5 popular culture events, build a wiki, write a synthetic essay, and obviously attend and participate in the course. </p>
<p>She showed us the course blog (blogger), and how she would post blog questions, and then the students would post comments. The next site was a geocaching wiki from her students; and some of that work is found under &#8220;placesspacesandposers&#8221; through pbwiki.com. Someone in the audience was worried about students &#8220;breaking&#8221; each other&#8217;s wikis. Miller said the expectations are laid out earlier in the class.  The second wiki she showed was from Pegasus, a gay dance club in Pittsburgh and discussed the group of students who were comparing the economy of bar culture and contrasting that space with a rural bar in Indiana, PA. </p>
<p>Curricularly, she uses Baudrillard&#8217;s Simulacra &#038; the Encyclopedia of Youth Culture. Now it seems like they&#8217;re moving into a Q&#038;A, and some people look like their heads are popping off. </p>


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